This gave the band aĬhance to combine their love of acoustic guitars and a melancholyĪtmosphere with their interest in the universe and human nature, whichĪlways emerges in their lyrics. Pure art is hard, but always worth following.Ģ012 they conceived a show, halfway between a theatrical monologue and aĬoncert, with an actor reciting some spoken parts. They have followed since the group's inception. Lunocode take pride in following the strange path They do not fear sounding ethereal, or taking a more metal Lunocode always try to combine melancholy with aggression in their Come una scintilla dalla pietra focaia (Live) 1:55.Qualcosa di piccolo e brillantissimo (Live) 5:15.Un bagliore circolare e blu (Live) 3:50.Cieli immensi ed immenso amore (Live) 1:37.That fans of prog and gothic literature should think about Remixed and remastered for this release, and it’s certainly something To this end, Herr Neuwirth has conjured up a fine mix of prog, metalĪnd even folk to soundtrack the six stanzas in six corresponding parts,Īnd he does a remarkably good job of it, for one so young. The boy on the moor tells the tale of a boy crossing a dark moor, besetīy ghosts and ghoulies, before a guardian angel helps him see the It’s actually a musical setting of a German poem, “Der Knabe im Moor”īy Annette von Droste-Hülshoff, an early 19th century German writer.
Absolutely my favourite album track is the impressive Watching Me Bleed that probably summarises what D.O.A.
There is a lot of high-quality progressive metal to be heard on this album from all the musicians. It's the touching story of one man's journey between hope and despair through life.
The album is a concept album that took almost six years from idea to release. Eriksson has a pleasant powerful voice and has the ability to express his emotions when singing the lyrics to the song. The style is melodic progressive metal in the vein of early Dream Theater (period When Dream And Day Unite and Images And Words) and early Pain Of Salvation (period Remedy Lane).